Manekii

I'm attracted to deep bass, acid lines and psychedelic passages, but also hard-to-classify pieces. I don't maintain the same language for an entire session: I work with changes of direction, contrast and tension.

I read the track without leaving aside my own criteria. Each change opens up a different path, and yet the set retains direction, weight, and movement. This is the way of playing that I take to underground clubs, streaming sessions and programming that values musical selection and a voice of their own.

I move between house —especially acid and deep—, indie dance, dark disco, techno, progressive, Balearic and downtempo. The melodic notes and the most intense percussions appear as accents within a mutable structure, where no set repeats the same journey.