125–135
JOAB began its journey in the late 90s within the culture of sound and event production, developing a deep understanding of the club's physical environment before positioning itself behind the turntables. Their transition from house to techno and electro arises from a constant search for more austere, repetitive and functional structures for the track.
Throughout his career he has participated in different contexts: from mass events to unconventional spaces such as wineries, terraces and galleries, consolidating a practice focused on sound resistance and the reading of the public. His approach does not respond to trends or obvious selection, but to a progressive construction where tension and groove operate as the main axes.
His sets function as sound architecture: evolving layers, dynamic control, and sustained narrative. Influenced by both electronic music and previous currents such as disco, synth and industrial, JOAB integrates references without making them explicit, prioritizing the physical experience of sound over immediate recognition.
Currently, his work remains within underground circuits, where the intention is not massive exposure, but consistency, depth and precision in each session.