90–160
Diego García is a Bolivian multidisciplinary artist with a background in visual arts, having studied in Berlin. After years of working through symbolic and abstract visual language, he found in electronic music a new medium for exploration and transformation.
His approach to techno is not purely performative, but experiential. Each set unfolds as a process, a gradual construction of atmosphere, tension, and release, where sound operates as a material in itself. Drawing parallels to his visual practice, his work can be understood as a form of sonic painting: layered, immersive, and oriented toward perception beyond the visible.
Rooted in introspection, his sound navigates between hypnotic repetition and controlled intensity. Rather than adopting a fictional persona, Diego García performs under his own name, emphasizing coherence between identity, artistic practice, and lived experience.
Positioned at the intersection of ritual, sound, and perception, his sets invite the listener into a state of focused immersion.